There is a photograph of a 1950s study room at the Maison de la Tunisie, designed by Charlotte Perriand and Jean Prouvé with the help of Pierre Faucheux.What if in 2014, this room was reactivated as a display space? This shift interrogates the function of a document as a space which could turn into the blue print of a "projected" exhibition. Reflecting on nos-
talgia and remontage, "Musiques d'autrefois, échos d'aujourd'hui" will look at the work of Pierre Faucheux (1924-1999) and aims at exploring a poetics of the document visible, amongst others, in some of his designs for the Livre de Poche, Le Seuil and the Club des Libraires de France.