The sculptor and ceramist Hubert Kovařík (1888-1958) belonged to
a strong generation of young artists trained at the
Kunstgewerbeschule in Vienna by leading artists of the Vienna
Secession and modernism (Löffler, private lessons Hanak). During
only two decades when he was intensively involved in ceramics in
Vienna and then in the newly established Czechoslovak Republic
there arose dozens of designs for small utility and art ceramics,
the shape of which captured the zeitgeist, complemented period
interiors and even played a part on the film screen in films
produced in the AB Barrandov studios, such as Kristián. Ceramics by
Hubert Kovařík, with their rich décor composed of geometrically
stylised floral motifs, became synonymous in Moravia with Art Deco
production. They are some of the most interesting yet so far little
known examples of art ceramics from the 1920s in the country.
The central point of the exhibition is decorative ceramics and
small utilitarian ceramics documenting designs for Kunštátská
keramika and the production of his own Decorative Art Workshop of
Hubert Kovařík which he founded in Svitávka near Boskovice and
managed between 1922-1932. The display will include large
decorative vases, drinking sets and boxes for sweets. A large
proportion of the exhibits are figurative sculptures with formal
features related to the production of Wiener Keramik of M. Powolny
and B. Löffler. The exhibition will incorporate rare surviving
written documents and photographs from the estate of Hubert
Kovařík, particularly in the form of original designs from the
artist's sketch books, work books and notebooks, complete with
realizations of applied and decorative ceramics. It is the first
larger presentation of Hubert Kovařík's work in Brno after more
than 90 years. It is also one of the first projects in a series
prepared by the department of applied art that endeavours to chart
the little known production of decorative art workshops in Bohemia
and Moravia which developed in the first half of the 20th century,
and at regular intervals to introduce a number of artists who often
worked from a single workshop.