Kateřina Šedá, personally linked with the given location and enriched by valuable experience of the place, initiates a change from the outside, through an inconspicuous intrusion into the ordinary life of a high-rise housing estate. The Brno-Líšeň housing scheme is one of many artificially-created conglomerations in an expanding city. The primary objective of such building projects is the construction of the greatest possible number of housing units in a limited area, regardless of the inhabitants who, shaped by the rigid order of right-angled streets and concrete-walled blocks, live in mass anonymity. Deprived of any sense of communality, brimful of indifference and disdain, they inadvertently support the impersonality of the place. This varied collage of newly "revived" colour facades for the Líšeň blocks is a public demonstration of non-homogeneity that also parallels the make-up of the inhabitants.
Kateřina Šedá (*1977), responsible for the For Every Dog a Different Master project, uses an event to mildly disturb the conciliatory resignation generated by mutual isolation between the inhabitants. She connects family pairs with air transversals, creating a "centre", produced by condensed intersections over a gorge defined by the walls of the prefabricated blocks. The silhouette of a dog's head demarcated by lines is the embryo of a myth with which the artist seeks to enhance "a place without a story".
